The Purple Prince

Jon Lurie purple water

(Post originally published in April of 2016)

There are certain points in life when we pause and consider our mortality. One of those points for me was when Prince died of an accidental fentanyl overdose on April 21st, 2016. 

Paisley Park April 2016

He died at his Paisley Park recording studio and home in Chanhassen, Minnesota. 

He was incredibly loved and respected. 

Growing up in Minneapolis, Minnesota, definitely had it perks and one of them was the vast and amazing array of arts. 

As a Minneapolitan, I was blessed with an unusual variety of talented musicians and bands to see most every weekend. Music, as I’ve often said, was my drug of choice, and Prince was certainly one of those talents.

Music-and-the-divine provides

Minneapolis native Prince (born Prince Rogers Nelson in 1958) graduated from Central High School in 1976. It wasn’t long before his talent grabbed the attention of the music world. The 1984 release of “Purple Rain,” both the album and film, propelled Prince from underground idol to global sensation.

“Purple Rain” also turned Minneapolis’ First Avenue into a legendary music venue, etching it onto the national map. Prince defied the trend of talented musicians departing Minnesota. He chose to stay and make his mark, pioneering the distinctive Minneapolis Sound that would influence music for years to come.

I stood next to him for a brief few minutes before Purple Rain came out as he watched one of my favorite local bands. The energy radiating from him was unlike anything I’d ever encountered. Not long after, I found myself standing a couple of feet from him again, this time at First Avenue’s 7th Street Entry, where he played to an intimate crowd of twenty-five. The man had an energy I had never met before. I remember looking at him and experiencing an intuitive flash of a rocket coming up behind him. There was so much raw heat around it, there was no way it wouldn’t reach its destination. To be honest, I found the vision to be a little overwhelming.

I didn’t know him personally but he lived and died ten minutes from my home. I would like to think that all those who are in love with the way music impacts the soul are kindred spirits of sorts. He escaped into his music and I knew that escape. Music and the divine love of it provides a soul to soul link. 

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No matter where we stand on politics or the planet, if we loved the music of Prince, it is together that we mourn the loss of this generous, philanthropic, beautiful, poetic, and extraordinarily talented man.

How Prince's '1999' Became His Breakout Album – Rolling Stone

(Rolling Stone, 1999)

Live-what-you-love-and

Music-is-a-link-to-my

Thinking back…I remember where I was, emotionally speaking, all those years ago when I floated in the music to escape and am so grateful for artists such as Prince who lived what they loved and created magnificently as a result. The spirit survives and so does the music. I am grateful for this and also thankful that we still have so many beautifully talented musical artists on the planet. Let the music play.

When-I-stopped-to-take-a 2

Transported Through a Rite of Passage

My dearest ally has long been music.  Music, melody and lyrics were once vital links to where I housed my soul. Some of my peers used drugs or sex to put distance between their now and before. Me, I worked it out in part, on the dance floor. It was a rite of passage for me.
Talented local bands played frequently in my hometown. I was part of that scene. Dressed in unconscious-wear, I would go to be moved. I’d pay at the door; find my place on the floor. Out went the lights, on went the music…the drum beating methodically through my body…it would take me, take me, gone.
Empowered by the feel of the light in and around me, I moved, I grooved, I whirled, I stepped I climbed…..tossing my head methodically, long-dark-curls slapping my tear-stained-face. I was dancing away from my past where love carried a knife in its small heart and the memories burned me speechless.
Then my trust in the music laid open my chest, pulled at my heart and feet to move me forward, forgive, step away, step away and begin again. So from a place in my past and a peek at my future, I returned to the Minneapolis bar where the lights were low and the air was filled with the scent of pot, smoke, and alcohol. 
Exhausted from the journey and lifted by the ethereal experience, I stepped off the dance floor and more fully into my life, my right of passage in motion.
Jodi Livon, 1986)

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